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Floating through the Veil- An Endless Performance

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Floating through the Veil- An Endless Performance


The stage was lit and the crowd was quiet. 
She sat watching them, taking in the silence. 

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Her red dress freshly washed from the performance before. 
Her hair let down and her bare feet on the floor.

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Her talent was enough but her beauty was greater. 
She was a burning star, but she wouldn't realize until later.

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111 old vintage piano spooky.jpg
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Later did come, yet time no longer passed.
She stayed in that theatre now reciting the past.

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108 Halloween ghost haunting Lexington Winery.jpg

No tickets were purchased and the front door was locked. 
The dust sat beautifully on top of what others had forgot. 

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She floated above the scuffed and tattered floor. 
Her dress never dirty, her burning, no more.

Days were nights and nights were days.
Her piano rotted on top of the stage.

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Now her skin was washing thin.
Transparent was her beauty.
Either this was her chance
Or a pure game of cruelty.

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Days had been years and years had been days.
But today the sun was actually burning through the haze.

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Oh to return for one more night! 
Just to touch the keys and caress the light. 

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She called out with hope, raspy was her voice.
She began to levitate as if by choice.

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Colors began to rush back in. 
Her star back to burning, the show to begin.

And there she saw it, her piano, her friend. 
Where she could play for one more night, while the veil was thin again.

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118 Piano Dancing Woman Red Dress Beauty Port Huron Michigan.jpg

Behind the Scenes:
I've never done levitation photography before, so that was the driving force behind this shoot. 
We were lucky enough to be able to shoot in the second and third floor of the Old Town Hall Winery in Lexington, Michigan.
It wasn't until I entered the space that I switched my thinking from a glamorous "floating" shoot to a haunted levitation shoot. 

It's told the Winery is said to be haunted, really haunted, by adults and children. Even tv crews have came to check the place out and left because it was that haunted.
Not sure where I stand on this... I can at least say I was happy to be photographing there in the daylight.

We did have a few happenings with lights and our fog machine, and our model, with no clue how it happened, did look down to see her big toe cut and bleeding. She later lost her toenail, so, take that how you wish (extra props to her for working through the shoot the WHOLE time like that!). Maybe the ghosts were not happy with our presence, or we just had bad luck. 

As gloomy as the day looks here we shot this in August (I think) on what had to be the HOTTEST day of the year. Only a few minutes in and we were literally stripping off our clothes and shoes to continue working. Not to mention what we hauled up 2 flights of tall stairs:
fog machine, a gallon of fog juice, loaded camera backpack, loaded trolly with light stands, lights, reflector, extra fabric, cords, battery pack, and god only knows what else. Oh, and a ladder. A 6 ft tall metal ladder. Oh, and a small, heavy ass trampoline we found in the garbage a week before. Call us crazy, but... Ok, no, no excuses, we're crazy.  

After 3 hours I got what I wanted and we hauled all of our stuff back out and celebrated with lunch and a cold beer. 

When editing, this effect is created by layering images, removing unneeded things, adding in shadows, and a lot of blending. 
Here's a look at what an image looks like BEFORE and AFTER I mess with it. 

Behind the Scenes Photography.jpg
Before and After Photoshop Work Levitation Photography Editing

Check out the full beauty gallery here!

If you have a thing for hauntingly beautiful girls in red dresses (or black dresses!) I suggest you click those links! 

And if you're in to Dark Beauty see what we shot in the woods at dusk!

 

 


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The Seekers Of Shelter- week 6 with ajbc photography (port huron, michigan photographer)

This week was the first week I had to branch out of the studio without my assistant for this 52 week project and see what happened. 
There was a time when all I had was my creativity. No props. No studio. No extra fluff. No real ways of knowing how to properly edit and da hubs.... always da hubs, next to me. 
So I decided this week, let's drop the tricks, all of them. Let's go back to doing what I know best- taking a scene and running with it. 
I extra like this because as of late Jake and I have been doing a pretty good job of getting out and doing things we normally wouldn't do, but what we built our relationship off of in the first place. Hiking, walking around town, photographing just for us, filming just for us, and simply enjoying the simple things in life. 
I give you:
The Seekers Of Shelter


We actually started a company (The Seekers Of) based on those beliefs- getting outside, creating beautiful things, and helping others build their small dreams in to big realities with the help of artistic visual media and... and little.... seeking. 
If you want to check us out you can, here----->

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Last Call- week 4 with ajbc photography (port huron, michigan creative portrait photographer)

"Last Call" by ajbc photography
week 4 of the 52 week project

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"Staring at a ghost across a table set for two,
This is the last call before the credits roll.
The charm of silver screen depression saturated in alcohol.
It's so seductive.
Filtered through tobacco haze.
It's so fucking intoxicating,
The way they glimmer through the grain and make dysfunction such a fashion."
-Every Time I Die


Just like last week:
week 3
This week started with a different idea in mind too. 
That's the nice things about art- ideas form, forms take shape, shapes change. 
I'm ok with that. 
Here's the original concept, 8 images meshed in to one. When I was done I just felt like it was too much and the original concept and strength was lost, so I broke things down. 

AJBCPhotography-ghosts-dark-beauty-port-huron-michigan-photographer-creative-artistic-blackandwhite

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Editing. It's not an "option"

   Edits. Post. Frills and Fluff.

   For those of you who are unfamiliar with digital photography and how it works, editing is basically the manipulation or enhancement of a photo.

   And right away, maybe you're thinking to yourself, "I don't like it when people make their photos look fake," or "I don't need all of that done."

   Well, believe it or not, almost 99% of the professional photos that you see have been touched in some way, whether it be to do something completely fun and unnatural, or maybe just to add a pop of color, add some crispness, fix a blemish, or remove something distracting in the background. You may not even notice, but more than likely, it's been touched, and for good reason.

   Take the above photo for instance. If you were to view the photo on the right (the after photo) first you more than likely would think it was in it's natural (or close to natural) state. Good. That's exactly what I want you to think when viewing my work. I don't want the main focus to be the edits. I want the main focus to be the subject- these beautiful wedding flowers in their rustic setting.

   Now, how would you feel if I would have presented to you the actual original photo as my final product? I think you would be pretty disappointed. The overall feel is drab, the flag, flower pot, and beam are distracting, and there's a small bit of light sneaking through the bottom of the photo where the pinic table stops. With a little work, this photo came a long ways!

   Another thing you may wonder is, "Why take a photo like that in the first place?" Well, most of the time I try avoid doing countless hours of work in post, but sometimes, you have to.This was a quick shot I got bc of lack of time, the picnic table was the closest, rustic, elevated object to me, and there was no time for flash equipment. Instead of junking it, I took some time, played with it a bit, and am very happy with the final result. 

   Long story short- this is a perfect example as to why you want a photographer who is willing to do edits and go the extra mile for you (if need be.)

(Please keep in mind- just getting the photo right originally, with out edits, is the way to go and my personal practice, but sometimes, it doesn't always work out like that, and this example is perfect for getting that point across!)

   Which brings me to my next point- why I say no when clients ask me if they can have ALL the pictures from their session, even if that means they are unedited and why you, as a client, should not be willing to sacrifice edits (or be willing to perform your own) to save money.

   Let's say I DID give you all your photos from your session, unedited, bc maybe we worked out a deal that after viewing all of them you could pick which ones you want me to edit. That seems fair and reasonable, at first. But now think about this. What if you were to go through your photos and come across the above photo on the left (the before)? Chances are you would bypass it bc of the distraction and not even think about what "could be" and be too fixed on "what is."

   That's 1 reason why I don't offer that option. I want your portraits to be viewed how they were meant to be seen- as little piece of art, your art.

   And speaking of art- although your portraits are your portraits, they are also little pieces of me and my artistic view of the world that I am releasing to you to enjoy. With that being said, that's also why I don't allow other people to take my images and edit them to save money, or for any other reason. Each image is special to me and I personally tweak and meticulously perfect each one as I see fit. Some images may have to be worked on for awhile, some images are done within mere minutes. But the point is, they have passed through my fingertips and exited them the way I intended.

   The above set is a perfect example of just that. This image was taken at another wedding I photographed in April. The weather was chilly, there was a chance of rain and we were all happy to run inside after the outdoor ceremony. The bride's mother had put a rosary outside bc it is said that they will ward off rain (and it worked by the way!) When I got to the editing process the image was nice but it needed some "uumph" so I added some nice warm colors (the photo on the right is the result.) I love warm colors. At the last minute though, I thought about it and realized, that image was not an accurate depiction of the cold day we endured, and I changed the edits to cold tones before finalizing the image. Yes- I personally like the image to the right, but that wasn't the point of the photo. I want the bride to remember the day as it was and how the rosary did it's job well! Had I allowed someone to take my image and edit it to their liking to save them money, or for whatever reason, my work would be floating around in a way that doesn't represent my view or artistic view point.

   So, with out further ado- go for the edits. There's a reason why they are there. And if there isn't a good reason for them, well... that's for a another blog. ;)