The first goal with this session was to really just take my time. A lot of session people book with me they are worried about getting the "biggest bang for their buck." They move quickly. They want to get their child in as many different poses and outfits in 1 hour as they can. It was nice to actually take a good amount of time to just stop and say, "Ok, let's try this, let's try this again, try it one more time until you nail it," and focus on getting a few solid, solid shots vs a whole slew of ones that I feel like are good, great, but not a true reflection of how far we could have REALLY pushed the bar had we taken control of our nerves and used the proper amount of time.
When I say we took took our time, I mean it. The models (who were beyond perfect for this task- thank you Hannah Mae and Alexx, and their mom of course too- Amy) spent a few weeks chatting back and forth about pose ideas, wardrobe, location options, makeup and hair. There was then the prep time to get it all together, and then once the actual day came around the morning consisted of a lot of time crammed in my bathroom carefully painting on their face makeup and styling their hair as big as possible. The concept grew from my love for fashion.
After we were physically ready it was time to go in and start shooting. The girls did some stretching, some warm up poses, and then we started. This is where we took even more time. We didn't change our wardrobe after about 20 some shots, we didn't move our location, we didn't change our backdrop. We merely kept shooting bc I didn't feel like we had truly NAILED it yet. So we kept going. We took a few 20 more. At the end of the day, in fashion or advertisement or even family portraits, you only need one strong image to help you say what you need to say. Why not make sure that one image is exactly what you want and it speaks not only loudly but aggressively, bc no one else is ever going to see those 100 other outtakes, 20 other good enough shots, or even the other 2 that made up the top 3. It's the one shot.